the scooter ep by enmetertre is the eighth release from swedish record label jens records. this time they serve up four premium grade house tracks crafted by enmetertres in a bedroom studio. some real head down material right here.

tucked away in a now not-so-quiet corner of south east london, wholemeal have been quietly, unobtrusively getting shit done. wholemeal music’s freshman release hits the shelves this month featuring two cuts from yam records boss tom esselle and a hoofing remix from fellow south-londoner west norwood cassette library. skilfully treading the line between house, techno, and jazz, the a-side, until she spoke is a superlative exercise in light-touc h sampling and devastatingly effective rhodes work. it shuffles then stomps, hypnotises then elates, bringing together disparat e threads to create something for the head and the heart. the title track, garibaldi, maintains the light-touch sampling thread and then takes it to a whole new plane of drum-driven dancefloor detonation. twisting chord hits whirl around a savage interplay between bass and drums before dropping back to an elemental pounding, bypassing the brain and heading straight for the feet. long time wholemeal friend and serious contender for the nicest man in music award bob wncl has very kindly picked up garibaldi by the scruff of the neck, grafted an enormous pair of junglist balls onto it and kicked it screaming across t he dancefloor. this is about as peak-time as it gets. wait for the wall of bass after the second drop, its enough to stop you breathing.

already support by paul johnson, matthias zimmermann, hardrock striker, korgbrain …
returning to his machines for the second ep on his own imprint godot lab. records, arminj decided to go on a journey, to take what’s coming from abroad. the foreign inspiration ep is built as following: the face a for africa and the face b for brazil which might give an idea in term of the record’s artistic direction and sonorities. for a launch forecasted in winter, this could be considered as a sunny break during a rainy and cold afternoon of january. groovin latin bass and tribal percussions will give you the want to head directly to the closest shiny place and to enjoy your time there while we keep mr godot risin’.

realness: if there was one word you’d use to sum up parisian house dealer phil weeks that would definitely be it. he’s never kowtowed to trends or hype. he’s never compromised. he’s never lost focus of his primary goal: to make undiluted, straight-up house music that physically moves you.nearly 20 years deep as a dj, artist and founder starting the new year with a serious statement of groove intent, the eight track package is the follow up to his successful 2012 collection ‘raw instrumental’. his fifth studio album in total, the title says it all: rawness and full focus on both the dancefloor and the best creative djs. no messing around, each track is tailored for total mix and party pleasure and covers every shade of the night. it’s peaky business from the off as phil lights the fire with ‘the rhythm’ an incendiary burner that sp flexing a classic blaze sample, all the elements build with the bulldozer drums and subs pushing relentlessly. ‘oh baby’, meanwhile, slips us into a something slinkier with its bumping deep drum shuffle and optional instrumental.

vanguard sound! founder and head honcho, amir alexander returns with the ep that marks a turning point for the label. the 10th degree uzi ep is the first release to come with the official logo artwork. a1 features risque female hip house vocals over a chugging acid groove. a2 has a crazy sounding british lady talking about rocking the dance floor with her supernatural sound uzi over a house piano loop and deep dirty bass line. b1 is an urgent, odd-time signature acid house club destroyer, and b2 is dark, melodic, textured techno that mourns and laments the seedy underbelly of the average after party. vs011 is the beginning of a new era for the label. it marks the transition from rookie to veteran status label-hood. serious dj weaponry.

house in motion kick things off with a v/a that navigates its way through house and downtempo grooves. a. m. limonata, roy blues and label head oliver francis all offer up eclectic and progressive tracks that feature driving basslines, soaring synths and infectious percussion.

continuing its conversation between the foggy environs of the pacific northwest and nyc’s thriving dance underground, blankstairs is thrilled to announce its newest release, dream city’s forward, a collaboration between s. deelay and c. perez (head of pdx’s consistently innovative pastel voids imprint).

resolute label returns after a short hiatus with a stellar selection of underground cuts by a fresh artist collective.to kick things off we have nightdrivers - mass prod & rufus - who bring us driving on the wheels of love , a track fuelled by house, techno, raw 808/909 drum programming and quirky edits. noha drops a highly percussive dance floor number full of swing and garage vibes as our a2 with resolution . on the flip, serialism records head honcho cesare vs disorder & tolga fidan provide a beautiful number in take 2 , with its infectious groove and beautiful strings. our b2 and vinyl only exclusive cut from jack on black - joe le groove and jib rafill - turns up the heat as a full on rolling techno gem, driven by distorted toms and crisp drums. its a sure shot dance floor winner.

nice price deal !!! supported by: danny howells, timo maas, alexander maier, wagon cookin, jimpster, roberto rodriguez, jonny cruz, oliver klein, axel bartsch, dairmount, alland byallo, ed davenport, daso, deepchild, mihai popoviciu, the model, simon garcia & many more... we are really proud to announce our second release on white rabbit music. long fellow and white rabbit sympathizer alin >aeromaschine< crihan delivered 2 briliant tracks which will go directly into your head and feets. he is one of the most upcoming talents from romania. tracks on baalsaal and poker flat will follow. on the remix duty we asked cosmic cowboys and oliver deutschmann. both did an amazing job and transformed the originals into 2 different interpretations. oliver deutschmanns mix reminds to some groovey early 90s house while the cosmic cowboys remix move into the deeper fields and makes you go insane. but words are all in vain so have a listen and satisfy yourself. cheers from the rabbit hole.

half-speed remastered reissue of peter gabriels 2002 album up. pressing on 180 gram vinyl, housed in a gatefold sleeve, download code included.

for our first release of 2017 rnt welcomes hade! best known for his work on local talk and basic fingers, the cologne native delivers a symmetrical 2 sides of disco edit barnstormers and downtempo head-nodders. from the beefy kick drum thump of say what you wanna say and my thang, to the obscure yet memorable sample sources of jeep cherokee xj and range rover hse, this is one to get the party shaking!

elliott thomas, aka etbonz, portlands prodigal son, touches down for the first time on loveon the rocks with my kinda future. etbonz, the lovechild of buckaroo banzai and thetalented ellen ripley, utilises the latest krystalvision technology over this eleven and a half minute opus to bring you to the edge of a future where maybe, just maybe, arnold didnt kill the predator.. where some wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favourite head up against the barroom wall, looks you crooked in the eye and asks you if you paid your dues. where you cant even get to the chopper, because kurt russell is in the cockpit with a head full of acid, wearing a hat made of drum machines. should we check it out? or just check into a psycho ward? whichever comes first, huh? its a kinda future that leaves you asking yourself, if i am not me, then who the hell am i? am i prins thomas? what is a diskomiks? you ever fuck a mutant? tall guy, weird clothes. first you see him, then you dont. the best mindfuck ever!

abstract reality is happy to present you this lp produced by kondaktor the co-owner of the record label modal analysis in athens, all tracks mastered and artwork made by his brother in arms and talented multi-disciplinary artist anfs who is running the label with him. this album consist of a collection of tracks inspired by various african music cultures constituting in the head of the artist a backbone for electronic music over the years.

the 3rd release from th pressing run by tokyo s deep houser tomonori hosoya who releases from the major deep house labels like deepartsounds, minuendo recordings, mixx records.this ep compiles tracks from 4 producers. the 1st track is from life recorder formaly released from detroitish techno house labels like aesthetic audio, atmospheric existence, boe. then comes ernie who runs minuendo recordings from spain. on the other side, inner shift music head brad p who releases from the labels like moods & grooves,yore and seventh sign. and japanese takuya yamashita who formally released outpost recordings and cadenza. vinyl only

following last years dangerously good depatterning lp, ipman returns to tectonic to deliver his latest instalment in bass-driven technoid mutations. constrict jumps straight into the deep end at 140bpm, diving head first into pulsing waves of warping, dynamic synth layers swimming back up to the surface for air. as the intro build peaks, the track effortlessly strikes when the bass drops in, charging the techno synth interplay with a sort of 3/4-step type rhythm shaping the movements. impeccable dance floor music that sits in an undefined zone between the worlds of techno, dubstep and somewhere yet defined. flip then for running man, which sees a sharp drop in tempo, bringing the speed down to 120bpm but maintaining the energetic build of constrict. starting from an almost empty space, running man takes an upward momentum, building and layering percussion and sonic textures as the heat of the chase takes full effect. dark and deadly, this is one for fans of sci-fi sonics and dread vibrations.

long-time influential techno label mosaic is back with a fine new ep from germany s andre kronert. the odd/even boss has been turning out dubby and atmospheric eps for ten years now, and here he adds three more such sumptuous tracks to his discography. a track called jinx is first and is an economical but effective roller with vast drums, subtle hi hats and a wonky lead synth line that brings a trippy feel to the groove. perfect for basements or warehouses alike, it works on both head and heel in style. bottom line is more forceful and hard hitting thanks to slamming drums and a nervous, twitching, haunted synth sound off in the distance. racing along and taking you with it, the urgency of this one really is compelling. finally, pressure dub is somewhere in the middle, with rolling kicks looping down low, scattered percussive hits up top and unsettling synth motifs all layered up into a smooth dub techno classic. spacious and spooky it is another effortlessly essential cut from kronert and mosaic. available on limited edition 180 gr yellow vinyl only.

nice price deal !!! massive support by mathias kaden and nico purman !! great feedback from troy pierce, josh wink, agoria, tiefschwarz ... the story continues … the other head of the slash label points out a deep and also percussive mood for the uprising enterprise. pherox gives an impression of the most interesting modern club music today. the -atletico ep- could be david lynch s personal soundtrack for his paranormal stories. exclusive on decks.de this is a limited release

nights get ever colder. the label owned by paris stalwart d’julz welcomes back an old friend in anonym, the man responsible for bcr006 and bcr021 returns for a four-track outing which includes a remix from orlando voorn. sultry atmospherics and masterful production are evident throughout this crisp new addition to the bass culture catalogue, another instant classic from the detroit badboy anonym.the first of the four tracks on this ep goes by the name of ‘castaway’, and its effortless groove will have you drifting away to a desert island the second you hear it. as a slightly obscured vocal repeats ‘castaway’ over and over, you’re lulled into a dreamlike state. simple and highly effective, its progression is subtle and invigorating. right after that we have dutch supremo orlando voorn taking charge of the remix and pushing the track deeper into celestial territory with flashes of synth that transport you out into the cosmos. the atmosphere of the original is expertly retained, with a steady pace and cool, mellow vibes throughout. flip the record over and there are two more killer cuts. first we have ‘doin it to ya body’, which keeps things minimal and straight to the point. bright disco strings lie at the heart of this track, slowly weaving their way in and out of the background while the drums and rugged b-line keep your feet moving and head bopping. lastly, ‘wara coco’ offers more hypnotic vibes drawing you with its dainty melody, dancing around the top end, while a mean bassline throbs away, deep down in the low end. it’s an strong combination and finishes off the ep in style.

heisenberg starts 2017 with a carefully selected 3 track compilation. all tracks are tested and approved on the deepest floors! as usual its vinyl only! no digital release, promos or shares! 180g. blue-transparent vinyl. a1 comes from the rising german artist reyam and u better keep an eye on this guy! b1 made by our homies adjustment bureau, guys already released vinyls at pleasure zone, hypertone, body parts and more. full b-side goes to jamahr & riciar ghir and for their long waited track >indisponente<.

the greatest hits from death row records artists on 4x12 inch vinyl, housed in a gatefold sleeve.

for the next volume of the long running turntables on the hudson series, we head down south to brazil to get a little dancefloor sunshine to warm up these cold winter months. the turntables on ipanema ep features four tracks on a 12inch from the digital compilation which will be dropping the same day on wonderwheel recordings. first up, brazil s dj g gives us samba da terra, a deep, jazzy brazilian house/samba fusion joint sure to get all the dancers on the floor. next, the ever prolific simbad comes through with the brand new detroit de janiero, a bangin track equally inspired by early motor city techno as the drum rhythms of brazil. on the flip side, nickodemus and simbad collaborate on berimboom another deep electronic house joint with an infectious bassline that percussively floats into rio. rounding up the ep, wonderwheel mainstay zeb comes with the slo-mo spacey dub house vibes of space forest.

7th storey projects in conjunction with new label peace on wax are proud to announce our new joint-release - a double 12- pack of rare and previously unreleased tunes from fozbee & cooz/the matchstick man. featuring tracks from the highly sought-after matchstick man ep, plus the title track from the fantastic magic & mystery ep , backed up with four previously unreleased tracks hand-picked from his 1992-1994 archives - we hope that this release will offer something for everyone!

forthright, razor sharp techno tracks running at a neck-breaking pace that will leave you breathless, remain neutral is all about the urgency and the purposely crafted indiscipline meant to make you twist your body in every directions. spoke throughout the feral scratches of overworked drum machines and the whiff distorted vocal samples taken from a tape found by chance, france via belgium s mehdi kernachi carries on with his exploration of the danger notion in electronic music -- borrowing as much to the slower, noisier industrial music of yesteryear as the speeded basement hysteria of rave culture -- applying the scorched-earth policy throughout his tracks.

having done such wonderful work alongside wolf muller on the sound of glades album, cass makes a welcome return with an expansive album release on emotional response. the german producer s ambient tendencies blossom here, occasionally meeting with laconic drums as on u but primarily dealing in huge swathes of melody. djs will want to hold out for the dramatic pulse of ann, where a more pronounced drum set makes for one of the album s most club-ready moments. theres a strong variety of tones and moods across youth sessions, from the strafing arpeggios of running to the bliss-out shapeless swirl of prismatic prolog, and this ensures that the album will not dull with repeated listens.

ndatl continues against this backdrop of club tracks with a smooth offering featuring new vocalist rico and seasoned trumpeter kafelé bandelé. produced by label head kai alcé and remixes by larry heard.
here you will find the original ndatl mix, larry’s reinterpretation and two other worldly mixes under his guise mr. fingers which takes this song into another realm that only fingers can reach. so sit back, listen, then dance.

introducing ideaz, two skilled beat-makers discovered by cold busted, hailing from within the funky heart of russia. marat and nicolay make their ideaz debut with motion capture, a fantastic 15-track album that showcases the laid-back, blunted flavor of the duos rhythmic constructions. jazzy samples, vinyl pops, and crafty scratches abound as the album speaks the universal language of the instrumental hip-hop head-nod. “every day” hypnotizes with its funky handclap stomp, quick guitar riffs, and fleeting splashes of vocal. a gentle approach is revealed on “blossom fell”, featuring a dreamy female vocal hook, slowly tremolo’ed electric piano chords, and an overall air of wistfulness. “lines” brings ideaz into futuristic funk territory as its loping cut-up beat, abstract synth melodies, and ascending bass line imagine a robot dance-off on a year 2054 episode of soul train. those are just a few of the highlights to be found on motion capture.

by his debut album alcatraz in january 2015, aras label head andré galluzzi thrilled with a concept album inspired by occult sounds and psychedelic vocals. alcatraz as a whole is a captivating piece of art, its the essence of a club night. now after received a wave of icredible feedback from alcatraz, the bird returns to aras with a bunch of remixes of the hypnotic track mathilda. time to welcome mike shannon and jacek sienkiewicz to the aras family.

always human tapes are back for round two and this time it’s a fight to the death. label head ryan wurst assumes the identity of soul tangler once again and unleashes a brutal mix of raw electronics, knife edged percussion and jagged techno.

dj support from brackles and peverelist. samrai is a founding member of swing ting, a dj and production squad behind club nights of the same name in manchester. they have two 12inches to their name on fat city (head gone and creepin) as well as remixes for mosca, murlo and beneath. riddim trax is samrais first solo release. his riddims are deceptively simple fusions taking in a spectrum of soundsystem influences and uk dance music, including dancehall, soca, afrobeats and uk garage. the ep opens with the summery let it ride, featuring swing ting mc mr fox s vocal in classic singjay mode. instrumental version responsibility riddim follows, before the b-side plunges into more rugged territory with problematic riddim and the brutal concrete riddim.

what would electronic music be without remixes? this is a question andrew claristidge had to answer last year after releasing his first solo album danser ou mourir. reworking the song of an other musician is a common thing nowadays. what is the purpose of it ? what if we would do the same in literature ? imagine asking philip roth to rewrite houellebecq... this is pure fantasy and this came to andrew s head.

spring theory alumni sage caswell returns to the san francisco-based label to deliver his debut album hoop earring. it s an enigmatic record that comes from the producer s own movement through personal transformation. it follows 2015’s sleep quarters , caswell s introspective label debut, and offers 10 tracks spread out across two 12-s. hoop earring is heavily informed by surrealist visions and archetypal images from caswell’s past that have crystallized within the context of this longplay album. hoop earring successfully paints images with broad brushstrokes and allegorical song titles that allows one to fill in fine details of a landscape built within the framework ten songs. “ray of light 95’” alludes to a moment in time that smartly places you alongside an adolescent caswell while songs like “here we guard upon the soul” land locks squarely in the middle with a poignant, nail-on-the-head statement. -zora scales (step 1)- provides a focal reference to the fantasy world that this album might be the soundtrack to.

the first release on man powers me me me saw fact mag travel to mexico to get inside the head of the geordieman in mexico. next up for the label is a comeback record from last waltz, the trio with which man power first ever released, featuring three new, original tracks, and a remix from the first ever recorded collaboration of tel aviv’s red axes (im a cliche) & naduve (disco halal).

nice price deal !!! ryota o.p.p aka ryota arai delivers his debut album pale lux for meda fury. ryota is based in tokyo at the nexus of the japanese house / future disco scene, alongside cohorts such as cos/mes, inoue shirabe, and kza he blends eastern mysticism, jazz spirituality, and cosmic disco with classic 4:4 rhythms. a highly respected dj, promoter and producer the opaque discoid-stomp of his future life ep marked him out as an original oddity but a vital new voice in the now global electronic music community, but with pale lux hes enlarged the scope of his musical canvas to incorporate new fresh textures and atmospheres. as meda fury head honcho nick williams explains: future life was built from some quite dark, abstract demos, some of which ended up being a bit overproduced for his self made debut cd only album. the pale lux lp is a ryotas fully realised eclectic vision, with a mood that is more optimistic and playful - much more reflective of his personality.pale lux indeed has a real narrative flow - dance floor tracks such as the chunky balearic vibes of wood, and banging future techno of bird flying over the rainbow nestle alongside home listening ambience witness the backroom/chill-out vibes of origin, the cute hip hop bounce of soft touch or the delicate trinket box chimes of outro drops. oscillating between light and shade, slow and fast, the influence of japan s history and native instrumentation runs right through the record, his fascination with balearic, disco, deep-house, hip hop, ambient and blunted beats parcelled into a glorious, sweetly considered listening experience.

that which is not said...
twins is matt weiner who is also known for his featureless ghost project and of course as the head of the dka records label… his project twins is not limited to one specific style but the dominant characteristic is the synth driven sound… other influences in the mix are various styles of dance music and a healthy dose of arty post-punk… this new mini album “rather not” is the perfect blending of all of this… due to this it is on the one hand a classic minimal elektro record but at the same time a rather modern piece of electronic music… catchy tunes and surprising twists go hand in hand and make up for an authentic and original record… which is more stunning every time you play it!

riot in lagos in its essence is a compilation of modern productions and reworks rich in magic from the motherland. following on from a recent resurgence of afro inspired disco thanks to labels like bbe, strut, tala a.m and awesome tapes from africa digging heavy, and reissuing some of the best content in many years from the world s second largest continent a wide and diverse range of.

sleazy mcqueen, ne laurin fedora, has been one of the u.s.’s foremost purveyors of classic disco, fuzzy house, and funky edits for over a decade, so its about time we bring him into the fold at lph. doing it in style and with a bang by delivering a package that includes two originals—the cosmic huit etoiles and the bumpin shuffler galway jam—plus two remixes of the titular track, one by kenji takimi, best known as the founder of japans preeminent dance music label, crue­l, one by gerd janson, the head honcho at running back as well as lauers better half in tuff city kids.

quality house label fina records are back with their next carefully curated ep of 2016. this one comes from the choice house duo of rob glassett and sam fussell aka homepark, who serve up four more of their finely crafted cuts. over the last six years, homepark have slowly but surely built up a classy discography that takes in smooth and seductive deep house that has real drive. it has come on labels like ornate music and chez damiers courtesy of balance recordings, and always marries a classic sense of house history with fresh new perspectives for both head and heel.

the change ep is the latest solo release from lavvy levan, four tracks that seamlessly appeal to the head, heart and soul - and not forgetting the feet. the change ep see s lavvy continuing to stretch out, explore, search and cement his place in the house music family. the title track offers a frenzied filter-led groove, taking disco influenced house to a new level - a sure-fire feel-good dance floor monster. hurt takes a more laid back direction, laced with infectious vocals, scattered breakbeats and a summer-laden vibe that will please a happy soulful crowd. mess moves toward the avant-garde, with soaring sci-fi pads and a masterful sub-bass. striking and slightly heavier than lavvy s usual style. one not to be taken lightly. ... and finally peace is a rich, deep and rather emotive track with heart-wrenching chords and a driving bassline - this is lavvy delivering some his most personal and expansive work yet.

cassette includes a free downloadcode – redeem via bandcamp.
after their latest release on kitball records hanne & lore are now back on their own imprint heulsuse. the catchy maintrack hushle is kept in total hanne & lore style and drives its way euphorically into the head, rolling drums, hypnotic lead sounds, funky vocal snippets and an almost cheeky groove make hushle to a true peaktime track.
bebetta is throwing a dazzling remix of hushle onto the dancefloor, full of atmospheric frequency and warmth between the fx sounds and soft chicago claps.
hanne & lore are turning down the speed by slipping lost in rimini, a crispy 80s house track, into our little italo disco.

whiskey disco 50 marks the return of label head, sleazy mcqueen in an homage to the disco dads and daddies. 5 tracks meticulously tuned ranging from deep house to peak time, heartfelt disco before softly lulling you to sleep with a sweet cover of lost in music in a lullaby style.

anarchy in the house of sagesse is a head first lunge through the shadows of the dance-floor. it s the distant echoes of a wild hells angels lsd party. wayward hallucinations from deep within the crypt. battery acid techno cooked on melted tape reels. the sounds of collective euphoria broadcast from deep within the serbian warehouse. a debut record from a fresh irish hell raiser

a project that came to life fuelled by collectors obsession and a lifelong willingness to dive head- first into unknown musical wormholes, miles whittaker and sean canty have never been defined by a singular musical trajectory. their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the italian library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated dds label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. while 2013s testpressing series provided an outlet for mostly club-based productions shot from the hip, wonderland has been constructed with a narrative in mind.from the clipped hardstyle of the opening curzon, through the jaunty dancehall mutations of animal style and fulledge, exotica/house refractions on hardnoise, the frankly ridiculous, bassbin destroying jungle ructions on sourcer, or the extended tease of overstaying, its probably the most enjoyable and loose-limbed hour of music in their catalogue, or that youll likely hear in these weird, angst-ridden times.

luciano lamanna & cosimo damiano, known together as assalti industriali, release a split ep on love blast. four tracks of heavy acid techno, an assault to the dancefloor on 4/4 to put your head into the speakers.

‘satan’s slave’ is the latest release from moscovitch music (terror/prey), the brainchild of producer/compiler joel martin (quiet village/velvet season & the hearts of gold/maxxi & zeus) whose ‘de wolfe music’ compilations ‘bite hard/bite harder’ are considered essential primers of the library genre. this holy grail black-magic british jazz soundtrack from 1976 is the most requested movie score of cult film composer and top english jazz saxophonist/flautist - john scott (symptoms/wake in fright/craze). for aficionados of rare library music and obscure horror soundtracks this is an essential album.

on uknowys latest release homeless soul music nemoy delivers a trilogy of warm & unique house grooves further extending and developing uknowys catalog of organic dance music. from the rolling and hard hitting banger ‘we made it to the percussive piece particular beat to the laid back, bassline driven one for ckenz nemoys sophisticated blend of delicious synth- and samplework with additional remixes by sam irl & chief makes for an overall exciting ep. ranging from classic house cuts to afrobeat elements this crisp production will get into your head & legs!

the voodoo ep is nicks final contribution to 8bits 2016 catalogue, and its another banger for sure. turning to darker synths and forward rhythms, the label head once more put together secret dance weapons to take over floors worldwide. these bad boys are full of energy and charged with techno - let them dance!

the third edition of alma soul music s limited vinyl series is now on the streets! this time the head honchos of the label sign the four tracks of this absolutely black record. on the a side javier varez comes back after his well known -i m not real ep- with a couple of melodic and hypnotizing deep house tracks. the talented duo sosandlow (alex sosa + d low) also develop some deep vibes on their first cut -el mito- and they complete the b side with a bomb called -de la caverna-, specially for tech-house lovers. just let your alma dance!

300 copies only - a dream interpreted through notes and sounds coming from the soul, this is the perception that we have received while listening to this ep an union between old and new electronic school and pure house music elements. dj aakmael real name greg stewart pioneer and researcher of sounds, being a true music head, the development of his style is the result of a lifetime of musical influence. growing up in a talented musical family meant that he was always surrounded by different forms of music. this time give us a new perception of the his mind with the “journey ep“, 4-tracks with a drum line never invasive, relaxing synth that weave through articulated words. label the release sustain directed by arierep gabriel & eduardo tavares . notable the remixes from other two masters losoul (journey remix) with a gentle hi hat, a great fx that emphasize the entire melody making fluid the entire track and, norm talley (smoother remix) a pure old school house construction, warm synth inside with an attractive drum line. an excellent ep!

eva geist s music is inspired by dreams, lost paradises, and new horizons of human belonging.” eva geist is an italian electronic musician and composer based in berlin. her early musical experiences in electronic music were largely self-directed, beginning with use of synthesizers and sequencers to different audiovisual computer and mobile technologies.geist s music builds up a cinematic musical journey around rarefied melodies, arpeggiators, soft beats and space disco. under the eva moniker hides the underground polyedric artist andrea noce, who previously released a mini-lp last year with david kristian on macadam mambo. this ep includes a wonderfull remix of «tanz im morgenmantel » by salon des amateurs head’s tolouse low trax, transposing it in a very subaquatic version, and a sublime artwork by talented artist maria torres